During my stay in Mysore, 'after the yoga', I was fortunate enough to spend my afternoons learning how to paint 'Mysore' style. My teacher was a beautiful man called M.S.Anand whose studio was on the 3rd floor on a traditional Mysore apartment block. He lives there with his wife, his gorgeous son and his Great Dane, 'Rocky'! You might think it a bit cruel to keep such a big dog on the 3rd floor of an apartment block, but Rocky loved it, loved the visitors and used to keep us company…by lying across the entrance the studio! But unfortunately Rocky's residence on the 3rd floor was not without incident! Because Rocky loved birds, loved to chase them that is, but despite great efforts on Anand's part to teach Rocky the pitfalls of chasing birds on a 3rd floor balcony, Rocky fell off said balcony no less than 3 times! Breaking his little legs on a couple of occasions, but mercifully surviving! Apparently Rocky used to be a canine model…however I think his modelling days are unfortunately up.. :)
But enough about Rocky. I was lucky enough to be taught by Anand in the beautiful Mysore style of painting in the typical 'Mysore' tradition. Watch and repeat. Watch Anand draw something and then attempt to repeat it until I had perfected it. I had pages and pages of hands in mudras, hands holding lotuses, feet decorated in anklets, until I perfected every possible combination of hand/mudra/symbol combinations!
Anand has his latest masterpiece displayed in the departure lounge at Bangalore Airport. Here's a link to a piece on Anand in the Hindu Times:
So what makes Mysore painting so special? Apart from its vibrant colours, Mysore paintings are known for their elegance, muted colours, and attention to detail. The themes for most of these paintings are Hindu gods and goddesses and scenes from Hindhu mythology such as the Ramayana and Mahabharata.
What Wikipedia says about Mysore painting: (Kannada: ಮೈಸೂರು ಚಿತ್ರಕಲೆ) is an important form of classical South Indian painting that originated in and around the town of Mysore in Karnataka encouraged and nurtured by the Mysore rulers. Painting in Karnataka has a long and illustrious history, tracing its origins back to the Ajanta times (2nd century B.C. to 7th century A.D.) The distinct school of Mysore painting evolved from the paintings of Vijayanagar times during the reign of the Vijayanagar Kings (1336-1565 AD) The rulers of Vijayanagar and their feudatories encouraged literature, art, architecture, religious and philosophical discussions. With the fall of the Vijayanagar empire after the Battle of Talikota the artists who were till then under royal patronage migrated to various other places like Mysore, Tanjore, Surpur, etc. Absorbing the local artistic traditions and customs, the Vijayanagar School of Painting gradually evolved into the many styles of painting in South India, including the Mysore and Tanjore schools of painting.
Techniques: The ancient painters in Mysore prepared their own materials. The colours were from natural sources and were of vegetable, mineral or even organic origin such as leaves, stones and flowers. Brushes were made with squirrel hairs for delicate work but for drawing superfine lines a brush made of pointed blades of a special variety of grass had to be used. Due to the long-lasting quality of the earth and vegetable colours used, the original Mysore paintings still retain their freshness and lustre even today.
Devotion: Mysore Paintings are characterized by delicate lines, intricate brush strokes, graceful delineation of figures and the discreet use of bright vegetable colours and lustrous gold leaf. More than mere decorative pieces, the paintings are designed to inspire feelings of devotion and humility in the viewer. The painter’s individual skill in giving expression to various emotions is therefore of paramount importance to this style of painting.
Embossing: Gesso work was the hallmark of all traditional paintings of Karnataka. Gesso refers to the paste mixture of white lead powder, gambose and glue which is used as an embossing material and covered with gold foil. The gesso work in Mysore paintings is low in relief and intricate as compared to the thick gold relief work of the Tanjore School. Gesso was used in Mysore painting for depicting intricate designs of clothes, jewellery and architectural details on pillars and arches that usually framed the deities. The work was taken up in the morning when the base of the gold work on the painting was still moist so as to hold the gold foil firmly. After allowing the painting to dry, glazing was carried out by covering the painting with thin paper and rubbing over it with a soft glazing stone known as kaslupada kallu. When the thin paper was removed the painting shone brightly and looked resplendent with the combination of gold and a variety of colours.
Finally following weeks of repetition and perfection, I chose a painting to begin my own Mysore style masterpiece. As a die-hard ashtangi I inevitably chose Patanjali, the beautiful depiction of half man, half snake depicted holding the conch and chakra. Here he is below…
I gave the original to my teacher Vijay Kumar in Mysore, didn't know any other way to thank him... It's now proudly up in his shala next to Krishnamacharya :)
Since I have been back in the UK I have continued to practice the teachings of Anand, experimenting with more modern techniques of embossing, utilisation of gold leaf, form and composition. I think I may possibly be the only artist in the UK offering Mysore style paintings, taught by the master himself M.S.Anand. So far I have been fortunate enough to paint pieces for a number of yoga studios in the UK and India. Should you have any ideas for paintings to adorn your home practice space, puja room or shala, I currently take commissions, you can choose the God, the background, the iconography you want depicted and I will design something one-off especially for you!
|Peacock Greetings Card|
|Ganesha Greetings Card|
|Durga Maa (work in progress)|